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Elizabeth de Portzamparc is a Franco-Brazilian architect. == Biography == Portzamparc was born in Rio de Janeiro in Brazil in a family of Breton noble descent. and spent her youth there. She followed Frank Schaeffer’s painting atelier where she learned conceptual art.〔http://www.dezeen.com/2012/06/22/musee-de-la-romanite-in-nimes-by-elizabeth-de-portzamparc, Musée de la Romanité in Nîmes by Elizabeth de Portzamparc, http://www.dezeen.com, 06/22/2012〕 She went to France to complete her study of anthropology, urban sociology and urbanism and she fully committed herself to subject related to urban planning including :〔Cent femmes pour la vie, Editions ARTCURIAL, Roussy, 2003〕 New towns,〔"Nuevo Hipodromo de Longchamp - Paris", ''Future Arquitecturas'', Madrid, 2012.〕 New towns,the Institute of Urban Planning and Development of the Île-de-France Region, and managed an atelier for town planning in Antony, in the Paris urban district. She developed pioneer research on « The neighborhoods of Antony » and « The redevelopment of suburban neighborhoods » building at the center of her planning policy,〔Visions for Offices Hotels and Shops, Contractworld, Hanovre, 2002〕〔Elizabeth de Portzamparc. Logement, comment innover. Elizabeth de Portzamparc. Construire des tours à bas prix, JDD, n°3488, 30 juin 2013〕 the principle of « local life ». After her admission at the « National list of aptitude for teaching Architecture », she taught at the Ecole Nationale Supérieure d'Architecture de Paris-Val de Seine between 1984 and 1988.〔Les Grandes Marches, Restaurant décors, Hanna Newton. Pages 222 à 227, 2002〕 In 1987, Elizabeth de Portzamparc starts her own company and expands her expertise to other creative fields and other scales of architectural projects.〔Les Champs Libres, Musée de Bretagne, Architecture et scénographie, éditions CMA-GTB, Paris, 2006〕〔La collection des collections, Fondation d’Art contemporain, la Défense, 1991〕 The rigor in which she defines her work is found in the purity and the economy of her deign shapes,〔La collection des collections, Fondation d’Art contemporain, la Défense, 1991〕 in the lightening of masses through the use of oblique lines, shifted volumes and tight curves. Her designs always express a strong relationship with the urban surroundings.〔Le mobilier du XXe siècle, dictionnaire des créateurs, P. Kjellberg, Editions l’amateur, Paris, 1994.〕〔Calligaris Camondo , ''Intramuros'', n°169, novembre décembre, 2013.〕 Her dual design approach, both sociological and architectural, acquired through her various experiences ; combine the sociological, urban and economic requirements of a project with an optimal design.〔Design et architecture: un dialogue, Galerie Citroën, Amsterdam, 1992〕〔Arts et formes, Musée des arts décoratifs,Paris, 1994〕 This association is exemplified in all of her projects.〔Moura, Eride. "Entre muitas disciplinas", ''AU Arquitetura E Urbanismo'', Rio-de-Janeiro, Dezembro 2012.〕〔Elizabeth de Portzamparc. Nouvel hippodrome de Longchamp. Paris, Future 35/36 Arquitecturas, Paris, 2013.〕 Today, among other realization, major architectural projects have been launched: le Musée de la Romanité in Nîmes,〔 Within her project and among the Grand Paris International Atelier, she is pursuing her research, conducted for the last 30 years, on the identity of towns, playing a fundamental role in the reflection and discussion of the metropolis construction. In the same context, she is conducting pioneer research for flexible, sustainable, mixed use or prefabricated housing. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Elizabeth de Portzamparc」の詳細全文を読む スポンサード リンク
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